https://juliettecezzar.com Juliette Cezzar Fri, 14 Jan 2022 04:56:45 +0000 https://juliettecezzar.com en https://juliettecezzar.com/Home-Image-Scroll Mon, 10 Jan 2022 06:40:37 +0000 Juliette Cezzar https://juliettecezzar.com/Home-Image-Scroll Juliette Cezzar is a designer, educator, and writer based in New York City. Her design practice has created award-winning experiences that cross the digital and the real for hospitality, media, museum, and education clients. As a design leader and mentor, she has served as director of Communication Design at Parsons School of Design and President of AIGA NY. She has been a board member of The Brooklyn Rail since 2018. She holds a Bachelor of Architecture from Virginia Tech and an MFA in Graphic Design from Yale University. <img width="2418" height="1874" width_o="2418" height_o="1874" data-src="https://freight.cargo.site/t/original/i/86a798b384ddb3c770f294c80679410d9023e62c7ec5770766b524ed30ea731d/05_homepage_feb.png" data-mid="227982857" border="0" src="https://freight.cargo.site/w/1000/i/86a798b384ddb3c770f294c80679410d9023e62c7ec5770766b524ed30ea731d/05_homepage_feb.png" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/72e54eb488f307c79ffa32fb343505e0c011d08eb5b6a79ab0744bb1f7bd413e/Tartine-Bread-Book---Proofs-013122_DSF0990-1500.jpg" data-mid="133846117" border="0" src="https://freight.cargo.site/w/1000/i/72e54eb488f307c79ffa32fb343505e0c011d08eb5b6a79ab0744bb1f7bd413e/Tartine-Bread-Book---Proofs-013122_DSF0990-1500.jpg" /> <img width="2000" height="3035" width_o="2000" height_o="3035" data-src="https://freight.cargo.site/t/original/i/16b99c34206d618481f3e5eabe1cbecacafaf2df7a564eb973370c74f1d182d4/03-UCLA-AUD-lecture-series-poster.jpg" data-mid="130377647" border="0" src="https://freight.cargo.site/w/1000/i/16b99c34206d618481f3e5eabe1cbecacafaf2df7a564eb973370c74f1d182d4/03-UCLA-AUD-lecture-series-poster.jpg" /><img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6d1cbbc1a14e2aaf3e0362dd0cc475198c681f832d7ab276a952e03341b7cf1c/Tartine-Book-NR-3-gray-1500.jpg" data-mid="130406672" border="0" src="https://freight.cargo.site/w/1000/i/6d1cbbc1a14e2aaf3e0362dd0cc475198c681f832d7ab276a952e03341b7cf1c/Tartine-Book-NR-3-gray-1500.jpg" /><img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/8309288c65527426326e3262278f97885dd773b7ea6c00579a92875b2f9dfd60/873_Juliette_Cezzar_03_extsignnight.jpg" data-mid="130377383" border="0" 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data-src="https://freight.cargo.site/t/original/i/7afedadfbf4037e5487979d64939e6ed80e5f18eaae28a16e40aacf673f1ce0d/45library-ext-sq.png" data-mid="130377878" border="0" src="https://freight.cargo.site/w/1000/i/7afedadfbf4037e5487979d64939e6ed80e5f18eaae28a16e40aacf673f1ce0d/45library-ext-sq.png" /><img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6c160532374255d88cb09285a88059034f8ab9d243b95b7e8a79b881ebb162bc/Tartine-All-Day-PROOF-DSF5707-1500.jpg" data-mid="130378299" border="0" src="https://freight.cargo.site/w/1000/i/6c160532374255d88cb09285a88059034f8ab9d243b95b7e8a79b881ebb162bc/Tartine-All-Day-PROOF-DSF5707-1500.jpg" /><img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/3a96f700db43eae06e8553755341f5c89d44b55011d2eb8e30ec602469ed1923/Tartine-All-Day-PROOF-DSF0723-1500.jpg" data-mid="130378525" border="0" src="https://freight.cargo.site/w/1000/i/3a96f700db43eae06e8553755341f5c89d44b55011d2eb8e30ec602469ed1923/Tartine-All-Day-PROOF-DSF0723-1500.jpg" /><img width="1324" height="1180" width_o="1324" height_o="1180" data-src="https://freight.cargo.site/t/original/i/8fd9a74bd8ce17976a6b761c79a22bee4888195e6372ce7e379bbd82639daeec/met-style-guide.png" data-mid="130378165" border="0" src="https://freight.cargo.site/w/1000/i/8fd9a74bd8ce17976a6b761c79a22bee4888195e6372ce7e379bbd82639daeec/met-style-guide.png" /><img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/58ae78c72b0cfa1d8ee198d6c6156830846d9a547bb33efee235954275bc127f/Paper-Astronaut-PROOF-DSF0204-1500.jpg" data-mid="130378207" border="0" src="https://freight.cargo.site/w/1000/i/58ae78c72b0cfa1d8ee198d6c6156830846d9a547bb33efee235954275bc127f/Paper-Astronaut-PROOF-DSF0204-1500.jpg" /><img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/83563a0d5532cd144fb01abef346d96287b5c4e739907383055befdff76ef32e/emp-menu.jpeg" data-mid="130378396" border="0" src="https://freight.cargo.site/w/1000/i/83563a0d5532cd144fb01abef346d96287b5c4e739907383055befdff76ef32e/emp-menu.jpeg" /> https://juliettecezzar.com/Main-3 Mon, 10 Jan 2022 03:48:36 +0000 Juliette Cezzar https://juliettecezzar.com/Main-3 DEEP IDLER&nbsp;™ We have only to speak of an object to think that we are being objective &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But because we chose it in the first place, the object reveals more about us than we do about it. ︎ ︎ Gaston Bachelard &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What we consider to be our fundamental ideas concerning the world are often indications of the immaturity of our minds. Sometimes we stand in wonder before a chosen object; we build up hypotheses and reveries; in this way we form convictions which have all the appearance of true knowledge.&nbsp;But the initial course is impure: the first impression is not a fundamental truth. https://juliettecezzar.com/Info Mon, 10 Jan 2022 06:40:38 +0000 Juliette Cezzar https://juliettecezzar.com/Info Juliette Cezzar is a designer, educator, and writer based in New York City. She is a tenured Associate Professor and former director of BFA Communication Design at Parsons School of Design. She has been a board member of The Brooklyn Rail since 2018. While her home base is in the Communication Design programs, she loves to teach design to non-designers. She has been teaching Design and the Future of Publishing in the MA Creative Publishing and Critical Journalism program in the New School for Social Research since 2015, and Visual and Interactive Design for Digital Products at Cornell Tech since 2018. While books anchor her design practice, her work has spanned a variety of media for clients such as UCLA Architecture and Urban Design, Tartine, The Metropolitan Museum of Art, Eleven Madison Park, MoMA, Vh1, The New York Times, and Columbia University’s Graduate School of Architecture, Art, and Planning. Her work has received awards and accolades from AIGA’s 50 Books/50 Covers, the Type Director’s Club, and D&amp;AD, and has appeared in numerous books and magazines. Her essays on design history and design education have appeared in She Ji, Eye on Design, Design Observer, Counter Signals, and a number of other small publications. She is the author of The AIGA Guide to Careers in Graphic and Communication Design (Bloomsbury Academic), co-author of Designing the Editorial Experience (Rockport) and author-designer of four other books. She holds an MFA in Graphic Design from Yale University and a professional degree (B. Arch) in Architecture from Virginia Tech.&nbsp;She served as President of AIGA NY from 2014–16. CV (1.2MB PDF)linkedin.com/in/juliette-cezzar/ Twitter: @juliettecezzarContact: juliette.cezzar@gmail.com https://juliettecezzar.com/Books Mon, 10 Jan 2022 17:58:47 +0000 Juliette Cezzar https://juliettecezzar.com/Books Designing: Books and publications <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/563e336b9344dc9909d8e4f96158d60873a6d325dcce0305ed88c8d3e2a7b6ca/Tartine-Bread-Book---Proofs-013122_DSF0990-1500.jpg" data-mid="132510400" border="0" src="https://freight.cargo.site/w/1000/i/563e336b9344dc9909d8e4f96158d60873a6d325dcce0305ed88c8d3e2a7b6ca/Tartine-Bread-Book---Proofs-013122_DSF0990-1500.jpg" />Bread BookChad Robertson with Jennifer Latham<img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/fa917ee4c52e3339b21dcd495465c72e2a92529cfb89c2a1e2b606c845f195ab/Tartine-All-Day-PROOF-DSF0031-1500.jpg" data-mid="130375844" border="0" src="https://freight.cargo.site/w/1000/i/fa917ee4c52e3339b21dcd495465c72e2a92529cfb89c2a1e2b606c845f195ab/Tartine-All-Day-PROOF-DSF0031-1500.jpg" /> Tartine All DayElisabeth Prueitt <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/186bee19e6ae69676e55749b16ec0566e89c84592d3425e15867e69d16b7067c/Night-and-Market-PROOF-DSF0007-1500.jpg" data-mid="130375851" border="0" src="https://freight.cargo.site/w/1000/i/186bee19e6ae69676e55749b16ec0566e89c84592d3425e15867e69d16b7067c/Night-and-Market-PROOF-DSF0007-1500.jpg" /> Night + MarketKris Yenbamroong<img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/03f036976cb1dce8d4cf17dd5603ac1b89430e92b88ceefa8f9dd98e973d17ba/Stereo-Sanctity-PROOF-DSF0424-1500.jpg" data-mid="130375864" border="0" src="https://freight.cargo.site/w/1000/i/03f036976cb1dce8d4cf17dd5603ac1b89430e92b88ceefa8f9dd98e973d17ba/Stereo-Sanctity-PROOF-DSF0424-1500.jpg" /> Stereo SanctityThurston Moore <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4c588990dc7e24715da99c4a147ed43e3db4c4f33b3ec610cfeea2b8004ec6cd/Bar-Tartine-PROOF-DSF9883-1500.jpg" data-mid="130375838" border="0" src="https://freight.cargo.site/w/1000/i/4c588990dc7e24715da99c4a147ed43e3db4c4f33b3ec610cfeea2b8004ec6cd/Bar-Tartine-PROOF-DSF9883-1500.jpg" />Bar TartineNicholas Balla &amp; Cortney Burns <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/f1d92e08720913485160a17d3e56947c4b141b719536c04991234dbe7204abc5/Tartine-Book-NR-3-gray-1500.jpg" data-mid="130406692" border="0" src="https://freight.cargo.site/w/1000/i/f1d92e08720913485160a17d3e56947c4b141b719536c04991234dbe7204abc5/Tartine-Book-NR-3-gray-1500.jpg" />Tartine Book No. 3Chad Robertson <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/d77911f81abe938a5b7ff9d316a63a15b71580204cd8dfa95235902d2fd35683/Allied-Works-Architechture-PROOF-DSF0339-1500.jpg" data-mid="130375965" border="0" src="https://freight.cargo.site/w/1000/i/d77911f81abe938a5b7ff9d316a63a15b71580204cd8dfa95235902d2fd35683/Allied-Works-Architechture-PROOF-DSF0339-1500.jpg" /> Clyfford Still Museum Allied Works Architecture <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/173ab271d994a15828ba14faa695d655867436cc05e0edd6d70b75564e038157/Case-Work-PROOF-DSF9536-1500.jpg" data-mid="130375958" border="0" src="https://freight.cargo.site/w/1000/i/173ab271d994a15828ba14faa695d655867436cc05e0edd6d70b75564e038157/Case-Work-PROOF-DSF9536-1500.jpg" /> Case WorkBrad Cloepfil <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/2b4dc4fb253daf0fa4fb21dc7c5d5558653ca63ee4f87a6897952177ac6be963/Designing-the-Editorial-Experience-PROOF-DSF0486-1500.jpg" data-mid="130375961" border="0" src="https://freight.cargo.site/w/1000/i/2b4dc4fb253daf0fa4fb21dc7c5d5558653ca63ee4f87a6897952177ac6be963/Designing-the-Editorial-Experience-PROOF-DSF0486-1500.jpg" />Designing the Editorial Experience Sue Apfelbaum and Juliette Cezzar <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/865c36b7048cc6f53324a43c26d95e6926404c48160971b4f7a2fa09dd2e1d5b/The-AIGA-PROOF-DSF0519-1500.jpg" data-mid="130375854" border="0" src="https://freight.cargo.site/w/1000/i/865c36b7048cc6f53324a43c26d95e6926404c48160971b4f7a2fa09dd2e1d5b/The-AIGA-PROOF-DSF0519-1500.jpg" /> The AIGA Guide to Careers in Graphic and Communication Design Juliette Cezzar <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/c8049956c06a6c6a83d5ab96874de335e250071ad4328ed6b42778a8f5ff1cc8/Brooklyn-Rail-PROOF-DSF9448-1500.jpg" data-mid="130379169" border="0" src="https://freight.cargo.site/w/1000/i/c8049956c06a6c6a83d5ab96874de335e250071ad4328ed6b42778a8f5ff1cc8/Brooklyn-Rail-PROOF-DSF9448-1500.jpg" />The Brooklyn Rail Feb 2020 redesign<img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/1d5d6fb6e98634e77ffdc3eb03fa0693d918b53db97a1a8cf45eedfb46053703/River-Rail-1-PROOF-DSF9513-1500.jpg" data-mid="130379227" border="0" src="https://freight.cargo.site/w/1000/i/1d5d6fb6e98634e77ffdc3eb03fa0693d918b53db97a1a8cf45eedfb46053703/River-Rail-1-PROOF-DSF9513-1500.jpg" />The River RailOccupy Colby <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/96fccb7720a8d7f73f3052e5ccef6312ac711fc9f6f77219b724a741a431e23d/River-Rail-2-PROOF-DSF9471-1500.jpg" data-mid="130379272" border="0" src="https://freight.cargo.site/w/1000/i/96fccb7720a8d7f73f3052e5ccef6312ac711fc9f6f77219b724a741a431e23d/River-Rail-2-PROOF-DSF9471-1500.jpg" />The River Rail Inaugural issue <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/d107ac25381f418f85c931f89e6d174c415c5c7c5aaa74388f4c90b0c1df97d5/Elliot-Smith-PROOF-DSF9650-1500.jpg" data-mid="130379455" border="0" src="https://freight.cargo.site/w/1000/i/d107ac25381f418f85c931f89e6d174c415c5c7c5aaa74388f4c90b0c1df97d5/Elliot-Smith-PROOF-DSF9650-1500.jpg" />Elliott SmithAutumn de Wilde <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4db0d2e947d4ce733ab175c3b324d6b1356dbdae4afa6e2890872a0a710b2b12/Eleven-Madison-Park-PROOF-DSF9788-1500.jpg" data-mid="130379374" border="0" src="https://freight.cargo.site/w/1000/i/4db0d2e947d4ce733ab175c3b324d6b1356dbdae4afa6e2890872a0a710b2b12/Eleven-Madison-Park-PROOF-DSF9788-1500.jpg" /> The Eleven Madison Park Cookbook Daniel Humm and Will Guidara <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/55aa673c17de998bcf603de43bca688fcf10e249ca300397341fc0d45ed30187/Translife-PROOF-gray-1500.jpg" data-mid="130406733" border="0" src="https://freight.cargo.site/w/1000/i/55aa673c17de998bcf603de43bca688fcf10e249ca300397341fc0d45ed30187/Translife-PROOF-gray-1500.jpg" />TranslifeFan Di’an and Zhang Ga, eds. <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/9dd5fbea4dad8388010e611070237356be4e58c9b6779dbf516254b05f833119/Daniel-Johnston-PROOF-DSF9614-1500.jpg" data-mid="130379524" border="0" src="https://freight.cargo.site/w/1000/i/9dd5fbea4dad8388010e611070237356be4e58c9b6779dbf516254b05f833119/Daniel-Johnston-PROOF-DSF9614-1500.jpg" /> Daniel Johnstonwith contributions from Jad Fair, Philippe Vergne, Harvey Pekar <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/9e6f2399a3899a7afa1b0aad62e80f752745aab3adb3cf84b106b38e2519a7f8/Paper-Pilot-PROOF-DSF0159-1500.jpg" data-mid="130379467" border="0" src="https://freight.cargo.site/w/1000/i/9e6f2399a3899a7afa1b0aad62e80f752745aab3adb3cf84b106b38e2519a7f8/Paper-Pilot-PROOF-DSF0159-1500.jpg" />Paper PilotJuliette Cezzar<img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/1bcf3582349f3f308df545e5cb9aa01b074a95f6841de5ccc9f9b0ebdf0d514a/Office-Mayhem-PROOF-DSF0554-1500.jpg" data-mid="130379532" border="0" src="https://freight.cargo.site/w/1000/i/1bcf3582349f3f308df545e5cb9aa01b074a95f6841de5ccc9f9b0ebdf0d514a/Office-Mayhem-PROOF-DSF0554-1500.jpg" />Office Mayhem Juliette Cezzar <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4c7fc008998d37e09275a3e10fcdf95a664cb32989e7886b8a24c5a73f489e53/Paper-Captain-PROOF-DSF0268-1500.jpg" data-mid="130379465" border="0" src="https://freight.cargo.site/w/1000/i/4c7fc008998d37e09275a3e10fcdf95a664cb32989e7886b8a24c5a73f489e53/Paper-Captain-PROOF-DSF0268-1500.jpg" /> Paper CaptainJuliette Cezzar<img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/a3bb0a6616eee2e162cd82deb40d39891000dea6ad3dba811df415fe613f3575/Paper-Astronaut-PROOF-DSF0204-1500.jpg" data-mid="130379379" border="0" src="https://freight.cargo.site/w/1000/i/a3bb0a6616eee2e162cd82deb40d39891000dea6ad3dba811df415fe613f3575/Paper-Astronaut-PROOF-DSF0204-1500.jpg" /> Paper AstronautJuliette Cezzar <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/324c712f6fbd5eac9ebffc09b9abe08ba374442f324ac33f0a66ba7e4aae096c/Blurred-Zones-PROOF-DSF9586-1500.jpg" data-mid="130379576" border="0" src="https://freight.cargo.site/w/1000/i/324c712f6fbd5eac9ebffc09b9abe08ba374442f324ac33f0a66ba7e4aae096c/Blurred-Zones-PROOF-DSF9586-1500.jpg" /> Blurred ZonesPeter Eisenman <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/7d405ee8e40f2035f6335a8b2af8bcdca257234eb726d2d50d9a484517847ee2/Diagram-Diaries-PROOF-DSF0454-1500.jpg" data-mid="130379612" border="0" src="https://freight.cargo.site/w/1000/i/7d405ee8e40f2035f6335a8b2af8bcdca257234eb726d2d50d9a484517847ee2/Diagram-Diaries-PROOF-DSF0454-1500.jpg" /> Diagram DiariesPeter Eisenman https://juliettecezzar.com/Identity-branding Mon, 10 Jan 2022 17:59:03 +0000 Juliette Cezzar https://juliettecezzar.com/Identity-branding Designing: Identity + branding <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c04dc1e0c08a30bc5640abfdd52b9a2e0ff9c69beb66fcb7c00122c68a8adf10/01_UCLA-AUD-slate-copy.jpg" data-mid="130570313" border="0" src="https://freight.cargo.site/w/1000/i/c04dc1e0c08a30bc5640abfdd52b9a2e0ff9c69beb66fcb7c00122c68a8adf10/01_UCLA-AUD-slate-copy.jpg" />UCLA Architecture and Urban Design <img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/20dc3e0a4b9c369a55bffa1fdd3aaa7569555acfc92c91c47fa510eb07b67b47/873_Juliette_Cezzar_03_extsignnight.jpg" data-mid="130570411" border="0" src="https://freight.cargo.site/w/1000/i/20dc3e0a4b9c369a55bffa1fdd3aaa7569555acfc92c91c47fa510eb07b67b47/873_Juliette_Cezzar_03_extsignnight.jpg" /> Tartine Manufactory https://juliettecezzar.com/Space Fri, 14 Jan 2022 04:56:45 +0000 Juliette Cezzar https://juliettecezzar.com/Space Designing: Museums + exhibitions The American Wing at the Metropolitan Museum of Art David Small of Small Design Firm approached me in 2009 asking if I could take on the design and production of signage and labels for the reopening of the American Wing at the Metropolitan Museum of Art. Working off a visual identity established by César Sesio and Timon Botez and the digital screens and creative direction of Small Design Firm, I created dozens of different templates for labels and signage, sourced production, and designed label and signage holders to allow for easy replacement. I worked with nine individual curators. I also set up the American Wing with a system and paper blanks to print out their own labels as needed.&nbsp; Collaborators: David Small and John Rothenberg, direction;&nbsp;Timon Botez and César Sesio, initial branding; Michael Lapthorn, exhibition design; Carrie Barratt, Medill Higgins Harvey, Amelia Peck, Adrienne Spinozzi, Matthew Thurlow, Thayer Tolles, and Nicholas Vincent, curation and client-side collaboration.American Wing at the Metropolitan Museum Style Guide︎︎︎ <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/ece1bd3257b9dc51bdf305d1f0b496843d0487999515fdf71da5e290f0053945/met06.jpg" data-mid="130342210" border="0" src="https://freight.cargo.site/w/840/i/ece1bd3257b9dc51bdf305d1f0b496843d0487999515fdf71da5e290f0053945/met06.jpg" /> <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/9ce62dc3d8ead9bb8d28cfcc82327213fb6a41f24e8bcb5cb69026c725a69462/met03.jpg" data-mid="130342207" border="0" src="https://freight.cargo.site/w/840/i/9ce62dc3d8ead9bb8d28cfcc82327213fb6a41f24e8bcb5cb69026c725a69462/met03.jpg" /> <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/0c76acc53ff8cb1a77c50396d6c63ddb604fb82c283e8105ee84fb0a31308370/met08.jpg" data-mid="130342212" border="0" src="https://freight.cargo.site/w/840/i/0c76acc53ff8cb1a77c50396d6c63ddb604fb82c283e8105ee84fb0a31308370/met08.jpg" /> <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/9da066a63a8a875ab13d2792deac102265e1259dec8838ce010262320cd40e58/met07.jpg" data-mid="130342211" border="0" src="https://freight.cargo.site/w/840/i/9da066a63a8a875ab13d2792deac102265e1259dec8838ce010262320cd40e58/met07.jpg" /> <img width="1324" height="1180" width_o="1324" height_o="1180" data-src="https://freight.cargo.site/t/original/i/9de017f3a6550025954d32bf40ad9df6406ed6b1c868dc011820385bf9261f25/met-style-guide.png" data-mid="130342215" border="0" src="https://freight.cargo.site/w/1000/i/9de017f3a6550025954d32bf40ad9df6406ed6b1c868dc011820385bf9261f25/met-style-guide.png" /> Visual Design for digital screens,&nbsp;ALTICALSA at the MetThe Galleries of Arab Lands, Turkey, Iran, Central Asia and later South Asia underwent a redesign in 2012. Part of the redesign included digital displays of several manuscripts (Art of the Book), textiles (Art of the Loom), and storytelling around the objects and space of the Damascus Room. Small Design Firm did the coding and interaction design, while I did the visual design of the various pages within the interactives. <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/b46d9cccda449bd8b268af036fe094f2a9c4bb0f0bb94fa9e186649b53ef3055/iw04.jpg" data-mid="130569807" border="0" src="https://freight.cargo.site/w/840/i/b46d9cccda449bd8b268af036fe094f2a9c4bb0f0bb94fa9e186649b53ef3055/iw04.jpg" /><img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/d10ece3265f46a553cabfed509011f141b77349f2a9adc09cf05552213fe4653/iw05.jpg" data-mid="130569808" border="0" src="https://freight.cargo.site/w/840/i/d10ece3265f46a553cabfed509011f141b77349f2a9adc09cf05552213fe4653/iw05.jpg" /> <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/82e1dbcf4f3cd2d7b099a91f0aab99b9ce28d8e2d69d94e778dab6f0e8612f48/iw07.jpg" data-mid="130569811" border="0" src="https://freight.cargo.site/w/840/i/82e1dbcf4f3cd2d7b099a91f0aab99b9ce28d8e2d69d94e778dab6f0e8612f48/iw07.jpg" /> <img width="840" height="525" width_o="840" height_o="525" data-src="https://freight.cargo.site/t/original/i/c6fb1fed8f839b1233428cc1e7758080bc5c84e8c0f4fe58383dfb085f9d3bb3/iw08.jpg" data-mid="130569816" border="0" src="https://freight.cargo.site/w/840/i/c6fb1fed8f839b1233428cc1e7758080bc5c84e8c0f4fe58383dfb085f9d3bb3/iw08.jpg" /> Columbia University Graduate School of Architecture, Planning, and PreservationI designed labels, wall text, and invitiations for exhibitions of art and architecture exhibitions at the Arthur Ross Architecture Gallery, including Anthony McCall, Shadrach Woods, and Ant Farm. Curator and collaborator: Mark Wasiuta <img width="1200" height="1793" width_o="1200" height_o="1793" data-src="https://freight.cargo.site/t/original/i/5d0d1d9e2e91a09fcdb2e73a8419dfa916a99aa8341246f907c22b0f7e1bd50e/ShadrachWoods_36.jpg" data-mid="130374714" border="0" src="https://freight.cargo.site/w/1000/i/5d0d1d9e2e91a09fcdb2e73a8419dfa916a99aa8341246f907c22b0f7e1bd50e/ShadrachWoods_36.jpg" /> <img width="1200" height="1793" width_o="1200" height_o="1793" data-src="https://freight.cargo.site/t/original/i/43f5f608380778ace18ebc1159f76b2de602b71db919a362f0ab2faba8a4f907/ShadrachWoods_18.jpg" data-mid="130374699" border="0" src="https://freight.cargo.site/w/1000/i/43f5f608380778ace18ebc1159f76b2de602b71db919a362f0ab2faba8a4f907/ShadrachWoods_18.jpg" /> <img width="4256" height="2848" width_o="4256" height_o="2848" data-src="https://freight.cargo.site/t/original/i/c1e1514907286652222f55d3a9104e1ec6297cae9352355447cff26b53979579/Display104.jpg" data-mid="130374746" border="0" src="https://freight.cargo.site/w/1000/i/c1e1514907286652222f55d3a9104e1ec6297cae9352355447cff26b53979579/Display104.jpg" /><img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/01b386d00ea62658eb7121fa8b0d0e40476b54b8eb15722a1615aa1580661329/antfarm_01.jpg" data-mid="130375146" border="0" src="https://freight.cargo.site/w/1000/i/01b386d00ea62658eb7121fa8b0d0e40476b54b8eb15722a1615aa1580661329/antfarm_01.jpg" /><img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cc335ca51cfcf5c4ef6ec14d936e98c9e3c91f30bec32a067d6132a3098d0943/antfarm-02.jpg" data-mid="130375166" border="0" src="https://freight.cargo.site/w/1000/i/cc335ca51cfcf5c4ef6ec14d936e98c9e3c91f30bec32a067d6132a3098d0943/antfarm-02.jpg" /> https://juliettecezzar.com/The-Brooklyn-Rail Mon, 10 Jan 2022 06:40:38 +0000 Juliette Cezzar https://juliettecezzar.com/The-Brooklyn-Rail Leading: The Brooklyn Rail I have been serving on the board of The Brooklyn Rail since 2018. This “living organism,” as it is defined by its publisher and artistic director, Phong Bui, is a publication and platform for the arts, culture, humanities, and politics. Against all odds, for over twenty years, the Rail has been publishing and distributing a free newspaper dense with interviews with artists, critics, and curators, in addition to critical essays, fiction, poetry, and reviews of art, music, dance, film, books, and theater.Beyond doing what I can to take care of this living organism, I’ve been working with Jeremy Zilar to update its online presence, and did a full redesign of the newspaper in 2019, bringing in a new structure where each month, there is a guest designer for the Critics Pages section of each issue. Beyond this ongoing transformation, I contribute design and expertise to special projects, such as the Rail’s engagement in Venice and its ongoing series on the intersection of art, science, and environment, the River Rail. The inaugural issue of the River Rail was followed by River Rail: Occupy Colby and River Rail: Puerto Rico. I also serve on the Development committee. &nbsp; &nbsp; &nbsp; &nbsp;<img width="2398" height="2300" width_o="2398" height_o="2300" data-src="https://freight.cargo.site/t/original/i/2056b6ed08163c47827afac193991bc7cf134601dfd2c92bb8ecf23560966a94/04_Art.png" data-mid="227982921" border="0" src="https://freight.cargo.site/w/1000/i/2056b6ed08163c47827afac193991bc7cf134601dfd2c92bb8ecf23560966a94/04_Art.png" />Redesign of brooklynrail.org, 2024 <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4783d0314489f3a801125964deb1c17bfa945adfb077641e77f274b08d4f5635/Brooklyn-Rail-PROOF-DSF9448-1500.jpg" data-mid="130278132" border="0" src="https://freight.cargo.site/w/1000/i/4783d0314489f3a801125964deb1c17bfa945adfb077641e77f274b08d4f5635/Brooklyn-Rail-PROOF-DSF9448-1500.jpg" /> Redesign of The Brooklyn Rail, February 2019 <img width="2614" height="1961" width_o="2614" height_o="1961" data-src="https://freight.cargo.site/t/original/i/bac9d73eaf0e17d1979cf6036ce6fb1fc42dd8d3f493b380396584d3c12f32d0/venice-sign-horizontal.jpg" data-mid="130278014" border="0" src="https://freight.cargo.site/w/1000/i/bac9d73eaf0e17d1979cf6036ce6fb1fc42dd8d3f493b380396584d3c12f32d0/venice-sign-horizontal.jpg" /> Pylon at Chiesa di Santa maria delle Penitenti, Venice, Italy, 2019 <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8020a875ee8d0d6256473076435d91a0866e865864026937e328236505df1886/River-Rail-2-PROOF-DSF4942-1500.jpg" data-mid="130278021" border="0" src="https://freight.cargo.site/w/1000/i/8020a875ee8d0d6256473076435d91a0866e865864026937e328236505df1886/River-Rail-2-PROOF-DSF4942-1500.jpg" /> Inaugural Issue of The River Rail <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/53ac3222e77f4d152ff3fe2b05d91ffbf0e74a7552020de7b0aa3466e5694130/River-Rail-1-PROOF-DSF4946-1500.jpg" data-mid="130278024" border="0" src="https://freight.cargo.site/w/1000/i/53ac3222e77f4d152ff3fe2b05d91ffbf0e74a7552020de7b0aa3466e5694130/River-Rail-1-PROOF-DSF4946-1500.jpg" /> The River Rail: Occupy Colby https://juliettecezzar.com/AIGA-NY Mon, 10 Jan 2022 06:40:39 +0000 Juliette Cezzar https://juliettecezzar.com/AIGA-NY Leading: AIGA NY I was elected to serve on the board of AIGA NY in 2012–13, and then served as its president from 2014–2016. AIGA, the professional association of design, is the oldest and largest organization that serves graphic and communication design. The New York chapter, started in 1982, has over 3500 members (out of a total of about 20,000 for AIGA), and the role of president has been held by some of the most respected designers, such as Michael Bierut, Carin Goldberg, Alex Isley, and Paula Scher. AIGA NY has been deftly managed by Stacey Panousopoulis for over a decade. <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/97898550a53b1c6f06fa693428dac65752ba89572ffeec4d9a0c20ec9041b6eb/board-meeting.jpg" data-mid="130702206" border="0" src="https://freight.cargo.site/w/1000/i/97898550a53b1c6f06fa693428dac65752ba89572ffeec4d9a0c20ec9041b6eb/board-meeting.jpg" />Board meeting, August 2015. Foreground, from left to right: Roanne Adams, Ksenya Samarskaya, Piera Gelardi, Joe Marianek, Emmett Shine, Renda Morton. Michael Bierut is&nbsp; just out of the frame to the right. Balckground: Ansley Whipple, David Frisco, Forest Young. In my first year as a board member of AIGA NY, I focused on connecting the schools in the city.&nbsp;In my second year on the board, and my first as president, my focus was on engagement with the city, a priority that had been set by my predecessor, Willy Wong. We negotiated a contract with a developer in South Street Seaport to give the small organization an 1800-square-foot space and $100,000 to expand the reach and range of activities to come in 2015–16. In the space, working with board members Alicia Cheng, David Frisco, and Manuel Miranda, we mounted two exhibitions. The first, called Looking, Thinking, Making, was about design process and design practice, and the second, titled Making the City, was about design interventions in the city that had social impact and relevance. Both exhibitions and their public programming were under a larger umbrella, also called Making the City, which proposed that community co-creation as the best way for designers to have positive impact on the city, rather than more cosmetic approaches like making posters about social issues. <img width="828" height="670" width_o="828" height_o="670" data-src="https://freight.cargo.site/t/original/i/4db5c845921c871a6a29f28678b89e97e599b09cb04c02f53829db0ee49ad398/Screen-Shot-2022-01-18-at-9.56.09-PM.png" data-mid="130702122" border="0" src="https://freight.cargo.site/w/828/i/4db5c845921c871a6a29f28678b89e97e599b09cb04c02f53829db0ee49ad398/Screen-Shot-2022-01-18-at-9.56.09-PM.png" /> Opening, Looking, Thinking, Making <img width="2232" height="1790" width_o="2232" height_o="1790" data-src="https://freight.cargo.site/t/original/i/8055400b94ae1fd58bf0b9587481615e904c53e6254bb2c1d4570666c13e02f9/Screen-Shot-2022-01-18-at-9.57.22-PM.png" data-mid="130702082" border="0" src="https://freight.cargo.site/w/1000/i/8055400b94ae1fd58bf0b9587481615e904c53e6254bb2c1d4570666c13e02f9/Screen-Shot-2022-01-18-at-9.57.22-PM.png" /> Opening party for Making the City DESIGN/RELIEF, a large, multi-year project, was already underway when I joined the board. This was the first model for this kind of engagement, sending teams of designers into the Hurricane-Sandy-affecteRed Hook, Rockaway, and South Street Seaport to demonstrate the impact of design with organizations in each of the neighborhoods. After DESIGN/ RELIEF came to a close, I contributed to and oversaw the writing of five grants, one of which we secured from New York City’s Small Business Services) for the organization for a community-facing project, IdeA:ENY. This project bolstered local business in East New York, a historically underserved neighborhood in Brooklyn. Its impact report, prepared by strategy firm 3x3 and distributed to other AIGA chapters, best articulated AIGA NY’s stronger position regarding social impact work. <img width="2236" height="1672" width_o="2236" height_o="1672" data-src="https://freight.cargo.site/t/original/i/660fe6ccea9242b1e151708878570e6a22667f0561ad2e09088e21b65f71babf/Screen-Shot-2022-01-18-at-9.55.24-PM.png" data-mid="130702134" border="0" src="https://freight.cargo.site/w/1000/i/660fe6ccea9242b1e151708878570e6a22667f0561ad2e09088e21b65f71babf/Screen-Shot-2022-01-18-at-9.55.24-PM.png" /> These projects, along with the programming made possible by having access to our own space, helped to change the perception of the organization from one that reacted to the design community—mostly through large auditorium talks—to one that had an active hand in building it. Not having to lease space and charge admission meant that we could be more experimental and wide-ranging in our programming, opening up possibilities like member-led events around more specific topics, performances related to the exhibitions in the space, and small-audience lectures. But beyond these specific projects and initiatives, leading the board was a gift in that the board members were designers from all corners of the field, some working in tech, media, and retail and others with their own practices, and our members were similarly wide-ranging. It helped me to see what the commonalities and differences were, something that influenced both my research and teaching, and it allowed me to serve as a kind of ambassador of the city’s design community to communities outside. It also gave me a chance to see a through-line where all of the tribes in the community could come together.Making the City Digital Archive ︎︎︎ <img width="1118" height="1792" width_o="1118" height_o="1792" data-src="https://freight.cargo.site/t/original/i/df616d4e4095fb95660cd7786fd3b85a97a1ca073cc0bf5450acfff15a53e811/Screen-Shot-2022-01-18-at-9.54.50-PM.png" data-mid="130702109" border="0" src="https://freight.cargo.site/w/1000/i/df616d4e4095fb95660cd7786fd3b85a97a1ca073cc0bf5450acfff15a53e811/Screen-Shot-2022-01-18-at-9.54.50-PM.png" />Making the City Book (design: Manuel Miranda, PDF)︎︎︎ <img width="1114" height="1790" width_o="1114" height_o="1790" data-src="https://freight.cargo.site/t/original/i/dea3b0646f9c4da509e6309cf664c680f084291c0a2f84e2fa6096d18ace5b33/Screen-Shot-2022-01-18-at-9.56.42-PM.png" data-mid="130702112" border="0" src="https://freight.cargo.site/w/1000/i/dea3b0646f9c4da509e6309cf664c680f084291c0a2f84e2fa6096d18ace5b33/Screen-Shot-2022-01-18-at-9.56.42-PM.png" />Making the City Exhibition Catalogue (design: Manuel Miranda, PDF)︎︎︎ https://juliettecezzar.com/BFA-Communication-Design-at-Parsons Mon, 10 Jan 2022 06:40:39 +0000 Juliette Cezzar https://juliettecezzar.com/BFA-Communication-Design-at-Parsons Leading: Parsons &nbsp; Diversity in Hiring Task Force, 2018–2021This group looked for ways to increase equity and diversity in hiring. My part was in looking at the specific documents and processes used throughout the process (the job description, shared documents in the committee, the job talk) and iterating towards a process that wouldn’t alienate people before they even began to think about teaching full time. The group is now working on the hiring of part-time faculty. When this task force was convened, we decided as a group to be fluid about its membership and have no chair.&nbsp; Collaborators:&nbsp;Shana Agid, Melanie Crean, Fatuma Dahir, Jess Irish, Marisa Jahn, Selena Kimball, Rory O’Dea, Rit Premnath, John Sharp, Richard The, Ka-Man Tse EDI Handbook draft ︎︎︎ BFA Communication Design at ParsonsDirector, 2011–14Associate Director, 2014–16 When I was appointed to the full-time faculty at the New School in January 2011, I was hired to direct the BFA Communication Design program at Parsons. I also directed the BFA Design and Technology program beginning in Fall 2011, and continued to direct both programs until Spring 2014. When my terms directing the BFA programs ended, YuJune Park was hired in as Director and I took on the role of Associate Director of Communication Design. YuJune Park was followed by E Roon Kang as director, and then Caspar Lam.&nbsp;BFA Communication Design is the oldest program of its kind, and one of the largest. As director I was responsible for over 450 students and 115 part-time faculty, and served alongside 6 full-time faculty who reported to the Dean of the School of Art, Media, and Technology. My goal from the start of my time directing the program was to fully integrate interaction into the curriculum and culture of the program, to align the core courses, and to diversify the faculty along many different lines. I hired 50 new part-time faculty in the first two years, followed by another 32 from Fall 2013 until Fall 2014. As our student base almost doubled over the next decade, so did our full-time faculty: in addition to YuJune, E Roon, and Caspar, Pascal Glissmann, Brendan Griffiths, Kelly Walters, and Lynn Kiang joined me and Lucille Tenazas to lead and shape the BFA, AAS, and MPS Communication Design programs.Collaborators: Anne Gaines, Pascal Glissmann, YuJune Park, E Roon Kang, Brendan Griffiths, Kelly Walters, Caspar Lam, Lynn Kiang, as well as 100+ part-time faculty and students over the years. BFA Communication Design Thesis site ︎︎︎ BFA Design and Technology at ParsonsDirector, 2011–14 At the end of Spring 2011, I volunteered to direct BFA Design &amp; Technology in addition to BFA Communication Design, and was appointed in Fall 2011. I continued to direct both programs until Spring 2014. When my terms directing the BFA programs ended, I took on the role of Associate Director of Communication Design. At the time, the Design &amp; Technology program graduated about twenty-five students a year, while the Communication Design program graduated about one hundred.The introduction of a new 120-credit curriculum beginning in Fall 2013 across Parsons (and a new first year) opened up an opportunity to redesign the BFA Design and Technology program. The program promised proficiency in five different areas: physical computing, motion graphics, interaction design, game design, and computational art. But because each incoming class had fewer that 30 students, it wasn’t possible to even introduce these topics adequately in required courses. The solution was to completely rethink the BFA Design &amp; Technology curriculum, in consultation with the school dean, the school curriculum chair, and with input from structured meetings with students, faculty, and alumni. The program was reorganized into two tracks: Game Design and Creative Technologies. We recruited and supervised two faculty in writing the curriculum for the tracks, Kan Yang Li and Ryan Raffa. Kan Yang Li took on the leadership of the program in 2014–15. Collaborators: Anne Gaines, Pascal Glissmann, Kan Yang Li, Ryan Raffa, and all of the faculty and students teaching and learning in the program in 2013. https://juliettecezzar.com/BFA-Design-and-Technology-at-Parsons Mon, 10 Jan 2022 06:40:40 +0000 Juliette Cezzar https://juliettecezzar.com/BFA-Design-and-Technology-at-Parsons BFA Design and Technology at Parsons At the end of Spring 2011, I volunteered to direct BFA Design &amp; Technology in addition to BFA Communication Design, and was appointed in Fall 2011. I continued to direct both programs until Spring 2014. When my terms directing the BFA programs ended, I took on the role of Associate Director of Communication Design. At the time, the Design &amp; Technology program graduated about twenty-five students a year, while the Communication Design program graduated about one hundred.The introduction of a new 120-credit curriculum beginning in Fall 2013 across Parsons (and a new first year) opened up an opportunity to redesign the BFA Design and Technology program. The program promised proficiency in five different areas: physical computing, motion graphics, interaction design, game design, and computational art. But because each incoming class had fewer that 30 students, it wasn’t possible to even introduce these topics adequately in required courses.&nbsp; The solution was to completely rethink the BFA Design &amp; Technology curriculum, in consultation with the school dean, the school curriculum chair, and with input from structured meetings with students, faculty, and alumni. The program was reorganized into two tracks: Game Design and Creative Technologies. We recruited and supervised two faculty in writing the curriculum for the tracks, Kan Yang Li and Ryan Raffa. Kan Yang Li took on the leadership of the program in 2014–15. Collaborators: Anne Gaines, Pascal Glissmann, Kan Yang Li, Ryan Raffa, and all of the faculty and students teaching and learning in the program in 2013.